If you look around on the internet and read some photography guides, it can be easy to find lenses that can fit into any budget. Traditionally, the best lenses for landscape photography are wide-angle lenses that allow for capturing ample scenes in a single frame. Compatibility: Crop Sensor (E) Minimum Focus: 0.3 m Filter Diameter: 49 mm Size: 63 mm (diameter) x 45 mm (length) Weight: Approx. If night time shoots or astrophotography are your sort of thing, you may need to consider adding a tripod to your kit. Compatibility: Crop Sensor (E) Minimum Focus: 0.16 m Filter Diameter: 49 mm Size: 63 mm (diameter) x 65.5 mm (length) Weight: Approx. Summary of the Best Sony 50mm Lenses. Best for: Landscapes, interiors, architecture. f/1.8 on an 85mm lens looks great to me, and at only 371 g, it’s the perfect complement to a lightweight Sony mirrorless body. Its size/weight went well with the smaller bodies, and the impeccable Carl Zeiss optics made the most of the A7R’s 36MP sensor. Sony A Mount lenses are designed for Sony Unique Translucent Mirror type camera bodies (the Sony α system). The focal length is ideal for a majority of my wildlife photography needs, and this lens works great with teleconverters – the 2x extends the focal length up to 1200mm. Thanks to a high speed internal focusing mechanism, the 55mm f/1.8 delivers fast, silent and precise auto-focus. Read on for more about these and other recommended lens choices for shooting landscapes with Sony E-mount. Full-frame lenses certainly are expensive and heavy compared to their crop-sensor counterparts, but you can buy lenses for your a7R IV and use them on your a6600 when need be. Bokeh produced by the 35mm f/1.4 is simply amazing. Check out our, Reviews - The Best Lenses for Landscape Photography, BEST FOR: EXTERIOR AND INTERIOR PHOTOGRAPHY, THINGS TO CONSIDER WHEN BUYING LENSES FOR LANDSCAPE PHOTOGRAPHY, Sometimes it can take quite a bit of time and moving locations to ensure that you are able to, Most branded wide angle lenses can be quite costly, which can make it hard for a. This lens is designed to fit both crop sensor and full frame cameras. The best standard wide angle lens available for crop sensor Sony E mount cameras. They are the complete pro-ready package, and the FE 35 GM's family resemblance is obvious. Coming from the Nikon 35mm f/1.4G (included in this best Nikon lens roundup), I noticed a similarity in the smooth transition of in-focus to out-of-focus elements which gives images a kind of ethereal personality. It’s fair to say that any of the Sony products with the word ‘Zeiss’ on the side really excel in image quality, especially the fast primes such as this one. After living and traveling across three continents for the past decade, he has developed a focus on long-distance overland journeys, straight pictures, Central Asian countries, and pizza. A real workhorse that delivers great-looking images over and over, and allows you to shoot in near darkness with no flash. With several lens manufacturers catering to the Sony E mount, as well as Sony’s own amazing lens lineup, you can’t help feeling a bit overwhelmed by choice! However, this camera’s kit lens can’t handle all tasks. The Sony FE 600mm f/4 GM OSS Lens is one of the sharpest lenses I've ever used — the image quality it produces is outstanding. Discover the FE 28 mm F2 from Sony & explore all the α Lenses features. The above lens is the Sony FE 70-200mm f/4 G OSS. For zooms, the f/2.8 G Master lenses are the cream of the crop, whether you own FE or E mount. Regardless of how low the lighting conditions are, this Sigma lens provides professional sharpness and quality. If you’re coming from another camera system, investing in two Sony mirrorless full frame bodies and several lenses may be out of your budget. Remember when everyone started using prime lenses because they were sharper and better quality than zoom lenses? Whether you’re a wide angle lens lover or prefer to zoom in to your subject, the. Specialising in fixed focal length prime lenses, and catering for a variety of lens mounts, Rokinon (Samyang) could prove the ideal choice for your next lens purchase. Yes there’s an f/4 Zeiss version and even a 28-70mm f/3.5-5.6 Sony offering too… but they’re all outperformed by the 24-70mm f/2.8. The sharpness and color quality you will receive when using this lens is hard to beat, even when it is zoomed all the way in for a macro shot of some flowers on the side of a snowy mountain. When tested on my a7R III and a a6000, I found auto focus speeds to be just as snappy as the fastest DSLR lenses I own, and much quicker than the Sony 50mm offerings. If you want to step up the image quality considerably on your a6xxx series camera, the Sigma 30mm f/1.4 is a good bet – that fast maximum aperture will deliver great bokeh, and get you out of trouble in low-light too. Whilst slight barrel distortion is still apparent, it’s nothing to worry about, and easily corrected upon import to Lightroom. Mark Condon is a British wedding photographer based in Australia and the founder of Shotkit. ), but am pretty confident it’d survive the fall if I did. Just use the navigation tab on the left to jump to the type of lens you're interested in. Sony a7RII +  24-70mm f/2.8 | © Tony Gale. With a low weight and compact design, the Nikon 10-24mm is a great lens to travel with, so you won’t have to stress about carrying too much gear with you on the trail. The ultra wide angle aspect of this lens gives you the ability to capture the whole scene in one image, without distortion or vignetting. Sony FE 20mm f/1.8 G. View on Amazon. ), feel free to skip ahead to the next recommended lens, since the 35mm f/1.8 is only for APS-C (crop) sensor shooters. . Let’s have a look at all the categories. It is a prime super wide angle lens designed specifically for Sony mirrorless cameras with APS-C sized image sensors. Best lenses for Sony APS-C mirrorless cameras For each of the categories below the winner was the lens which we found to offer the best combination of quality and value. It also has a nano crystal coating which reduces ghosting and flare. Add in f/1.4 for beautiful subject separation and incredible low-light performance, and you have pretty much the ultimate prime lens for Sony shooters. The color saturation and contrast are of professional quality, allowing you to capture all the bright colors of nature that may normally come out dull in photos when the light is not perfect. If you’re looking for a wide angle zoom lens with the best image quality and can justify the price tag, there simply isn’t a better option than the Sony 16-35mm f/2.8. As with the 55mm f/1.8 we discussed earlier, the 85mm f/1.8 achieves incredible amounts of detail – zooming in 100% with the Sony A7R III files is mind-blowing. It’s a pricey beast of a lens, but it could be the only lens you ever need. No. Let’s start this review off with one of the sharpest lenses ever produced… all the way back in 2013! At the end of a long wedding day, the last thing I want to attach to the front of my camera is a big, heavy lens like a 24-70, and 28mm allows you to get stuck right into the crazy dance-floor action, making the viewer feel truly immersed. If you do choose to purchase a third party lens, it is best to do your research, read some reviews and decide which companies would be the most dependable. One unique advantage of the 28mm f/2, is that Sony also produces two handy converters that can change the focal length of the lens – this one that makes it 21mm; and another one that makes it a 16mm fish-eye! GM stands for ‘G Master’ – the premium Sony e mount lenses, similar to Canon’s L series. Overall, the Sony 35mm f/1.8 is a versatile and fun little lens that is the perfect complement to a small Sony mirrorless body, with images quality that simply isn’t possible with the kit lens that comes with your camera. Considering how wide this lens is capable of opening, you will find  a very small amount of distortion (easily fixed with a couple of clicks in Lightroom or Photoshop). However, I believe that whatever your profession and whatever the camera you own, it’s always a good decision to invest in the best possible lens you can afford… and in this case, that’s the Sony 24mm f/1.8. 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